The Strange Ones Film Review :
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Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.
“The Strange Ones” is an awkwardly misty and dully curved show around two siblings who go out and about and into the wild after the rough murder of their dad. But perhaps they aren’t siblings all things considered. What’s more, maybe one of them doesn’t exist. What’s more, conceivably, the murder didn’t occur the way we’re at first indicated it did. What’s more, the more youthful kin may be elsewhere constantly. Furthermore, well, OK, you get the float. There’s a point past which it’s hard to think anything that occurs on screen, and difficult to mind what should be genuine or not. Sadly, the motion picture proceeds for an extensive extend from that point onward, until the point when it truly walks into a profound, dim opening.
James Freedson-Jackson got an exceptional SXSW Film Festival jury grant for his “achievement execution” as the more youthful of the two kin — whose name might be Jeremiah or Sam — and there is something obviously noteworthy about the way his perplexing articulation and faraway gaze can by one means or another loan a dab of believability to whatever conceivable reality the motion picture recommends for the harried pre-adult at any given minute. Something comparable can be said for the more seasoned (and hunkier) Alex Pettyfer, who demonstrates adequately adaptable to deal with anything tossed at him by co-executives Lauren Wolkstein and Christopher Radcliff (who extended this outside the box include from their 2011 shy of a similar title) while he plays the sexually questionable Nick. In any case, the performing artists’ endeavors — and those of supporting player Gene Jones as a character who exchanges amongst caring and Fagin-like — put on a show of being sincere commitments to an acts of futility.