The Dark Horse Film Review :
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In view of the life of New Zealand’s Genesis Potini – bi-polar Maori chess academic and mentor to the underprivileged – “The Dark Horse” gives more verification that into each performer’s life a bit “Downpour Man” must fall. At the same time now and again that implies great things for everybody.
Precipice Curtis, the remarkable Kiwi performing artist (“Once Were Warriors,” “Whale Rider,” “Kid”), has additionally been a generally useful Hollywood ethnic – he’s played a Colombian (“Blow”), an Arab (“Three Kings”) and a Latino (“Training Day”). A Maori himself, he pressed on an additional 60 pounds to play the late Potini, who kicked the bucket in 2011 and was a quite dearest instructor of chess, particularly to at-danger youth. What Curtis brings next to the additional grounds is sensational heaviness, an aggregate drenching in the identity of a tormented yet talented man, one with a majority of evil spirits in his mind and a liberal soul. It’s a high wire Curtis strolls, with extensive strides.