Day of the Dead: Bloodline Film Review :
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In a world overrun by zombies, military personnel and survivalists live in an underground bunker while they seek a cure.
I was at Montreal’s wonderful genre festival, Fantasia, last year when I heard that George A. Romero had passed away and I honestly felt my knees a buckle a little bit. Very few filmmakers have influenced me as greatly as the king of the zombies, the man who redefined horror in a way that’s still resonating today. I’m kind of a zombie movie nut, willing to watch even the most negligible title (although, somewhat tellingly, I mostly gave up on the tedium of “The Walking Dead” a few years ago). And so when “Day of the Dead: Bloodline,” a promised retelling of one of Romero’s classic “Dead” films came across my radar, I thought, “That might be a fun way to start the new year.” It’s not.
“Day of the Dead: Bloodline” feels like one of those zombie flicks that was slightly tweaked here and there to resemble the 1985 Romero film but could have started life as any sort of flick featuring brain-eaters. The shared DNA with Romero’s flick is in two key aspects of this new work—the setting of a remote military-run complex after the world has been overrun by the undead and a ‘Bub’ character who seems a little different than your run-of-the-mill zombie. However, the social commentary that coursed underneath “Day of the Dead” is largely lacking here. While Romero’s film felt like it had something to say about control and the government (even if Roger notoriously didn’t think it succeeded in saying it), “Bloodline” can’t figure out its message, and the characters are nowhere near interesting enough to overcome the muddled themes of the film.