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Reviews of Balada triste de trompeta :

The script, composed by Solet and Roth, does figure out how to paint some provocative elements in the middle of Madeline and the essential ladies throughout her life, Patricia and Vivian. Both parts are played pointedly by veteran performing artists Ferris and Rose, with Patricia the minding yet fumblingly tender gatekeeper and Vivian the cool controller quietly lamenting for her lost child. By correlation, the character of Madeline is level and uninteresting, resolute and unsurprising; lamentably, she overwhelms the motion picture.

As a chief, Solet settles on some odd decisions. Maybe attempting to make a dreamlike air, he utilizes a channel to fluff out the edges of the picture for long extends. At different times, his utilization of light is flawed; one scene specifically is shot straightforwardly into the glaring sun radiating through a window. As you may anticipate from a first-time executive (peculiarity savvy), it feels like he’s making a decent attempt, and his endeavors get to be meddlesome. His style ought to be as unobtrusive as his film.

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